It must have been at Claymore, perhaps in the year 2001, maybe 2002 that I first encountered the Gripping Beast display stand in all it's (old school) glory, all beautifully painted vignettes of new and older released miniatures from the hand of Darren Harding. Each vignette inspiring, each element so absorbing; leaving me with a wonder of how such detailed work was possible.
Until about 2001/2002 I hadn't really paid that much attention to my painting. It was a case of paint, plonk and play for me! It was good enough but I have to say, and I really do not mean to blow my own trumpet here, nowhere near the standard I can reach with a little effort today. This is the crux of the article, like the Influential Miniature Painters and Why - Jock Ramage on this blog, these scribblings are about miniature painters that have really had an impact on me and perhaps how they effected my own painting.
The immediate impact at looking at Darren's work was the attention to detail, the extremely tight, crisp brushstrokes. The depth of imagination and historical knowledge. Just take a look at any of the images presented here and you will see such sharp work; the clothing, the shields the armours, the basing of the vignettes. It is hard to believe, even now, the shields are not transfers and are in fact freehand work from many years ago. The banners wonderfully hand painted too boot.
Having the delightful experience of encountering the Griping Beast stand at many shows in the early 2000's, being able to get up close and personal to the vignettes, something new always on display gave me the impetus to give the precision freehand a go, and whilst I might never not have reached the same standard, to get all arty farty about it, as Anselm Kiefer said, "You cannot achieve the impossible. You can only dream of it and try it." I think Darren came very close with his meticulous tight brushwork.













I bought loads of early GB figures when they first came out. They were the first 25mm figures I bought. Unfortunately it shows on the paintjob. Unlike all these beauties on show.
ReplyDeleteDarren has a brilliance about him that borders on genius for the sheer amount of detail he can get into a model. Most of the shields alone are way better than any LBMS transfer to date. They were my first Early Medieval love too. Well, actually they were Humbrol Gloss painted Hinchliffe Napoleonics but that's another story! :>)
DeleteThey are great, but I think he would be very flattered by what he has inspired in your painting as well.
ReplyDeleteBetween me and you, when I asked if I could feature the pictures, Darren did infer that was so. I sill maintain that Darren Harding at the height of his powers was one of the very best out there.
DeleteGreat article, his Celts were exceptional. The other article was also very good.
ReplyDeleteCheers bud. Injecting dynamic drama and a sense of almost unrivalled detail in every piece.
DeleteThank you. A great read and wonderful miniatures.
ReplyDeleteThanks.
DeleteIt really is wild how good his shields are (but all of the work is amazing).
ReplyDeleteThe precision of the brushstrokes is astonishing.
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